MAKING THE FILM
In April 2009, Alejandra and Juliana traveled together to start the research of potential topics with the help of Gisella Duarte, a friend of Alejandra who became the Associate producer of the film in Paraguay. On the last day of their trip, they heard the story of Favio Chavez and his efforts to teach music to the children of a landfill using instruments made from recycled trash. Alejandra picked the story right away among the stories they had found. In 2010, Alejandra and Juliana went back to Paraguay to do the first shoot. They had frequent communications with Favio Chavez, the director of the orchestra, and went back to Paraguay every year to continue the filming process. It was during a trip in 2011 when they found the group of kids that remained as central characters in the film. They didn’t know if the kids were going to continue the music classes but they had faith in Favio, who proved to be perseverant and committed with the community and the music school project, so they took the chance.
In 2012, Mexican producer Rodolfo Madero joins the project. That is when the team creates a short video about the film and a social media campaign that goes viral, launching the film and the orchestra to the world spotlight.
Landfill Harmonic turned into a collaborative film work as two film directors joined the team while the story kept progressing and the production requested additional crew members. Graham Townsley joined the project in October of 2012. Brad Allgood first joined as editor in 2013 and in 2014 he directed the scenes of the third act. Because of the amounts of footage collected over the years, Brad was a fundamental player in the creative process. Alejandra and Juliana worked very closely with Brad on the structure by giving insight to keep the integrity of the story from beginning to end, as they conceived the film project from the start.Back